Sunrise

1927

Drama / Romance

3
Rotten Tomatoes Critics - Certified Fresh 98%
Rotten Tomatoes Audience - Upright 92%
IMDb Rating 8.2 10 34496

Synopsis


Uploaded By: FREEMAN
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December 05, 2017 at 07:46 AM

Director

Cast

F.W. Murnau as Dancer
720p 1080p
674.23 MB
1280*720
English
NR
23.976 fps
1hr 34 min
P/S 9 / 49
1.42 GB
1920*1080
English
NR
23.976 fps
1hr 34 min
P/S 17 / 79

Movie Reviews

Reviewed by dbdumonteil 10 / 10

Simply the best

This Murnau work comes from the end of the silent era,and the miracle is that it needs nothing:it has everything.There are hardly a dozen of subtitles for a ninety- minute movie,and that's enough.The rest is the actors'sublime performances and Murnau's flawless directing. George O' Brien and Janet Gaynor do not speak,and however,we can hear them,with all our heart ,with all our soul.Their faces reflect what they endure,suffer and enjoy.Because this is not only a drama.Sometimes it turns to a true comedy.For me the scene in the church climaxes the work:the husband,desperate to a fault,and his wife ,who saw her sincere love atrociously betrayed ,"get marry" again and the priest's words will drive you to tears.

Unlike "Nosferatu",which took place in dark places ,and before "tabu" which would be an hymn to the nature -in every sense of the word,and probably the key to WF Murnau's entire canon"-,"Sunrise" is a diurnal movie,beginning with a meeting with the husband and his mistress at the break of dawn,and ending in the deep of the night,but the very last picture brings back sunrise,which epitomizes a new beginning, a new christening,a redemption.And the man ,crying and begging for pardon,it might be Murnau who thought his homosexuality was a crime -Nosferatu might be a metaphor as well,as the hero who abducts a priestess he's in love with in "tabu" -A true auteur opens up in his movies,if we can read between the lines.

Murnau was,along with Fritz Lang,one of the two most influential forces of the expressionism .

Reviewed by The_Void 8 / 10

A bittersweet symphony of life and love

Before the movie starts properly, Sunrise professes that life is sometimes bitter and sometimes sweet, and that is exactly what this film is; a bittersweet symphony of life and love. Flamboyant German director, F.W. Murnau directs this film with a great love and precision, his direction in the movie is flawless. Sunrise features very little story cards, and it almost totally told with just visuals and music. This is a testament to Murnau's talent for storytelling; to portray a story without dialogue is something that all silent films have to do, but to tell a story without many story cards either is something that many directors would struggle to do. The music in Sunrise is simply sublime; it fits what's going on in the film to a tee, and also succeeds in making the visuals' power more potent. Sunrise is a groundbreaking film, some of the techniques used by Murnau to tell his story are amazing, especially for the time. Techniques such as his use of flashback have had a major impact on cinema as a whole.

And the film isn't just a technical marvel either; there is more than enough substance here. The plot isn't massively substantial, but it's the subtext that is important. It follows the story of a man who, tempted by a woman from the city, gets talked into murdering his wife. Him and his wife used to be madly in love, described by their maid as 'being like children', but the love has since stagnated and so the man is easily taken in by an offer from a beautiful to move to the city. However, when it comes to doing the act; he can't do, and so the film moves into following the two falling back into love. Like life itself, the film is never plain sailing and that seems to be it's central message, along with the fact that love is more powerful than anything that life can throw at you. And those are welcome messages in any film, especially one as brilliant as this.

Overall, Sunrise is a masterpiece. It easily ranks as one of the best, and most important silent films ever made and it is as brilliantly technically as it is on the substance front. A must see for all fans of cinema.

Reviewed by ([email protected]) 10 / 10

Sublime, beautiful silent romance

Put simply, not only the greatest silent film ever made, but one of the 10-15 perfect films. Sunrise, to me, is the definitive moment in silent cinema. Not only is sound unnecessary, but so are words -- indeed, there are remarkably few title cards. Instead, Murnau trusts in the ability of his images to convey his story; he doesn't need words. The story itself is simple, archetypal. It functions primarily as a frame onto which Murnau fastens scene after scene of breathtaking splendor. In particular, the first shots of the City are dizzyingly complex and layered. Additionally, it's impossible to come away unimpressed by the Storm which tosses the characters during their return journey. Murnau is one of the few filmmakers, and perhaps the first, to truly embrace the possibilities of film as its own medium, rather than as a novelty or, alternatively, a convenient way to preserve a stage play. Though he is better remembered for other films, most particularly Nosferatu, Sunrise is his crowning achievement.

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